Karine Polwart pays homage to Edinburgh’s oldest sabal palm through a sublime mix of song, poetry and storytelling.

But it's her writing that's totally knockout. It's brilliantly sharp and punchy, with something almost retro about the strength of her punchlines. That's not to say her stuff is old-fashioned, just ...

Alana Jackson is a likeable stage presence and does some great character work in her debut Fringe show, but many of her ...

On Flux, Alison Goldfrapp proves that the 'difficult second album' strikes even veteran industry icons, as solo outing number ...

Clad in knitwear and slacks with a cartoonish shiner around his eye, Daniel Maseda brings his infuriatingly polite character ...

Ahead of big screen showings of the classic Errol Flynn swashbuckler, one writer recalls how their obsession with the film ...

Charlie Shackleton was about to make a film about the Zodiac Killer when the rights to the source material fell through, ...

David Hayman discusses his debut feature, Silent Scream, a forgotten Scottish masterpiece from 1990, ahead of a screening at ...

Toussaint Douglass, Johnny McKnight and In Bed With My Brother are among the first week winners at our Edinburgh festivals ...

Lomond Campbell combines nuclear physics with his own compositions for a unique and fully immersive, experimental, ...

Amaarae’s third album has moments of truly sublime pop magic, but only once you get past its early bloodlessness.

On their thirteenth studio album, No Rain, No Flowers, The Black Keys integrate the blues-rock sound they're known for into ...